martes, 9 de junio de 2009

CASABLANCA

Casablanca
by Thomas M. Disch

In the morning the man with the red fez always brought them coffee and toast on a tray. He would ask them how it goes, and Mrs. Richmond, who had some French, would say it goes well. The hotel always served the same kind of jam, plum jam. That eventually became so tiresome that Mrs. Richmond went out and bought their own jar of strawberry jam, but in a little while that was just as tiresome as the plum jam. Then they alternated, having plum jam one day, and strawberry jam the next. They wouldn't have taken their breakfasts in the hotel at all, except for the money it saved.

When, on the morning of their second Wednesday at the Belmonte, they came down to the lobby, there was no mail for them at the desk. "You can't really expect them to think of us here," Mrs. Richmond said in a piqued tone, for it had been her expectation.

"I suppose not," Fred agreed.

"I think I'm sick again. It was that funny stew we had last night. Didn't I tell you? Why don't you go out and get the newspaper this morning?"

So Fred went, by himself, to the newsstand on the corner. It had neither the Times nor the Tribune. There weren't even the usual papers from London. Fred went to the magazine store nearby the Marhaba, the big luxury hotel. On the way someone tried to sell him a gold watch. It seemed to Fred that everyone in Morocco was trying to sell gold watches.

The magazine store still had copies of the Times from last week. Fred had read those papers already. "Where is today's Times?" he asked loudly, in English.

The middle-aged man behind the counter shook his head sadly, either because he didn't understand Fred's question or because he didn't know the answer. He asked Fred how it goes.

"Byen," said Fred, without conviction, "byen."

The local French newspaper, La Vigie Marocaine, had black, portentous headlines, which Fred could not decipher. Fred spoke "four languages: English, Irish, Scottish, and American." With only those languages, he insisted, one could be understood anywhere in the free world.

At ten o'clock, Bulova watch time, Fred found himself, as though by chance, outside his favorite ice-cream parlor. Usually, when he was with his wife, he wasn't able to indulge his sweet tooth, because Mrs. Richmond, who had a delicate stomach, distrusted Moroccan dairy products, unless boiled.

The waiter smiled and said, "Good morning, Mister Richmon." Foreigners were never able to pronounce his name right for some reason.

Fred said, "Good morning."

"How are you?"

"I'm just fine, thank you."

"Good, good," the waiter said. Nevertheless, he looked saddened. He seemed to want to say something to Fred, but his English was very limited.

It was amazing, to Fred, that he had had to come halfway around the world to discover the best damned ice-cream sundaes he'd ever tasted. Instead of going to bars, the young men of the town went to ice-cream parlors, like this, just as they had in Fred's youth, in Iowa, during Prohibition. It had something to do, here in Casablanca, with the Moslem religion.

A ragged shoeshine boy came in and asked to shine Fred's shoes, which were very well shined already. Fred looked out the plate-glass window to the travel agency across the street. The boy hissed monsieur, monsieur, until Fred would have been happy to kick him. The wisest policy was to ignore the beggars. They went away quicker if you just didn't look at them. The travel agency displayed a poster showing a pretty young blonde, rather like Doris Day, in a cowboy costume. It was a poster for Pan American airlines.

At last the shoeshine boy went away. Fred's face was flushed with stifled anger. His sparse white hair made the redness of the flesh seem all the brighter, like a winter sunset.

A grown man came into the ice-cream parlor with a bundle of newspapers, French newspapers. Despite his lack of French, Fred could understand the headlines. He bought a copy for twenty francs and went back to the hotel, leaving half the sundae uneaten.

The minute he was in the door, Mrs. Richmond cried out, "Isn't it terrible?" She had a copy of the paper already spread out on the bed. "It doesn't say anything about Cleveland."

Cleveland was where Nan, the Richmonds' married daughter, lived. There was no point in wondering about their own home. It was in Florida, within fifty miles of the Cape, and they'd always known that if there were a war it would be one of the first places to go.

"The dirty reds!" Fred said, flushing. His wife began to cry. "Goddamn them to hell. What did the newspaper say? How did it start?"

"Do you suppose," Mrs. Richmond asked, "that Billy and Midge could be at Grandma Holt's farm?"

Fred paged through La Vigie Marocaine helplessly, looking for pictures. Except for the big cutout of a mushroom cloud on the front page and a stock picture on the second of the president in a cowboy hat, there were no photos. He tried to read the lead story but it made no sense.

Mrs. Richmond rushed out of the room, crying aloud.

Fred wanted to tear the paper into ribbons. To calm himself he poured a shot from the pint of bourbon he kept in the dresser. Then he went out into the hall and called through the locked door to the W.C.: "Well, I'll bet we knocked hell out of them at least."

This was of no comfort to Mrs. Richmond.


• • • • •


Only the day before, Mrs. Richmond had written two letters—one to her granddaughter Midge, the other to Midge's mother, Nan. The letter to Midge read:

December 2
Dear Mademoiselle Holt,

Well, here we are in romantic Casablanca, where the old and the new come together. There are palm trees growing on the boulevard outside our hotel window and sometimes it seems that we never left Florida at all. In Marrakesh we bought presents for you and Billy, which you should get in time for Christmas if the mails are good. Wouldn't you like to know what's in those packages! But you'll just have to wait till Christmas! You should thank God every day, darling, that you live in America. If you could only see the poor Moroccan children, begging on the streets. They aren't able to go to school, and many of them don't even have shoes or warm clothes. And don't think it doesn't get cold here, even if it is Africa! You and Billy don't know how lucky you are!

On the train ride to Marrakesh we saw the farmers plowing their fields in December. Each plow has one donkey and one camel. That would probably be an interesting fact for you to tell your geography teacher in school.

Casablanca is wonderfully exciting, and I often wish that you and Billy were here to enjoy it with us. Someday, perhaps! Be good—remember it will be Christmas soon.

Your loving Grandmother,

"Grams"

The second letter, to Midge's mother, read as follows:

December 2. Mond. Afternoon
Dear Nan,

There's no use pretending any more with you! You saw it in my first letter—before I even knew my own feelings. Yes, Morocco has been a terrible disappointment. You wouldn't believe some of the things that have happened. For instance, it is almost impossible to mail a package out of this country! I will have to wait till we get to Spain, therefore, to send Billy and Midge their Xmas presents. Better not tell B & M that, however!

Marrakesh was terrible. Fred and I got lost in the native quarter, and we thought we'd never escape! The filth is unbelievable, but if I talk about that it will only make me ill. After our experience on "the wrong side of the tracks," I wouldn't leave our hotel. Fred got very angry, and we took the train back to Casablanca the same night. At least there are decent restaurants in Casablanca. You can get a very satisfactory French-type dinner for about $1.00.

After all this you won't believe me when I tell you that we're going to stay here two more weeks. That's when the next boat leaves for Spain. Two more weeks!!! Fred says, take an airplane, but you know me. And I'll be d——ed if I'll take a trip on the local railroad with all our luggage, which is the only other way.

I've finished the one book I brought along, and now I have nothing to read but newspapers. They are printed up in Paris and have mostly the news from India and Angola, which I find too depressing, and the political news from Europe, which I can't ever keep up with. Who is Chancellor Zucker and what does he have to do with the war in India? I say, if people would just sit down and try to understand each other, most of the world's so-called problems would disappear. Well, that's my opinion, but I have to keep it to myself, or Fred gets an apoplexy. You know Fred! He says, drop a bomb on Red China and to H—— with it! Good old Fred!

I hope you and Dan are both fine and dan-dy, and I hope B & M are coming along in school. We were both excited to hear about Billy's A in geography. Fred says it's due to all the stories he's told Billy about our travels. Maybe he's right for once!

Love and kisses,

"Grams"

Fred had forgotten to mail these two letters yesterday afternoon, and now, after the news in the paper, it didn't seem worthwhile. The Holts, Nan and Dan and Billy and Midge, were all very probably dead.

"It's so strange," Mrs. Richmond observed at lunch at their restaurant. "I can't believe it really happened. Nothing has changed here. You'd think it would make more of a difference."

"Goddamned reds."

"Will you drink the rest of my wine? I'm too upset."

"What do you suppose we should do? Should we try and telephone to Nan?"

"Trans-Atlantic? Wouldn't a telegram do just as well?"

So, after lunch, they went to the telegraph office, which was in the main post office, and filled out a form. The message they finally agreed on was: IS EVERYONE WELL QUESTION WAS CLEVELAND HIT QUESTION RETURN REPLY REQUESTED. It cost eleven dollars to send off, one dollar a word. The post office wouldn't accept a traveler's check, so while Mrs. Richmond waited at the desk, Fred went across the street to the Bank of Morocco to cash it there.

The teller behind the grille looked at Fred's check doubtfully and asked to see his passport. He brought check and passport into an office at the back of the bank. Fred grew more and more peeved as the time wore on and nothing was done. He was accustomed to being treated with respect, at least. The teller returned with a portly gentleman not much younger than Fred himself. He wore a striped suit with a flower in his buttonhole.

"Are you Mr. Richmon?" the older gentleman asked.

"Of course I am. Look at the picture in my passport."

"I'm sorry, Mr. Richmon, but we are not able to cash this check."

"What do you mean? I've cashed checks here before. Look, I've noted it down: on November 28, forty dollars; on December 1, twenty dollars."

The man shook his head. "I'm sorry, Mr. Richmon, but we are not able to cash these checks."

"I'd like to see the manager."

"I'm sorry, Mr. Richmon, it is not possible for us to cash your checks. Thank you very much." He turned to go.

"I want to see the manager!" Everybody in the bank, the tellers and the other clients, was staring at Fred, who had turned quite red.

"I am the manager," said the man in the striped suit. "Good-bye, Mr. Richmon."

"These are American Express Travelers' Checks. They're good anywhere in the world!"

The manager returned to his office, and the teller began to wait on another customer. Fred returned to the post office.

"We'll have to return here later, darling," he explained to his wife. She didn't ask why, and he didn't want to tell her.

They bought food to bring back to the hotel, since Mrs. Richmond didn't feel up to dressing for dinner.

The manager of the hotel, a thin, nervous man who wore wire-framed spectacles, was waiting at the desk to see them. Wordlessly he presented them a bill for the room.

Fred protested angrily. "We're paid up. We're paid until the twelfth of this month. What are you trying to pull?"

The manager smiled. He had gold teeth. He explained, in imperfect English, that this was the bill.

"Nous sommes payée," Mrs. Richmond explained pleasantly. Then, in a diplomatic whisper to her husband, "Show him the receipt."

The manager examined the receipt. "Non, non, non," he said, shaking his head. He handed Fred, instead of his receipt, the new bill.

"I'll take that receipt back, thank you very much." The manager smiled and backed away from Fred. Fred acted without thinking. He grabbed the manager's wrist and pried the receipt out of his fingers. The manager shouted words at him in Arabic. Fred took the key for their room, 216, off its hook behind the desk. Then he took his wife by the elbow and led her up the stairs. The man with the red fez came running down the stairs to do the manager's bidding.

Once they were inside the room, Fred locked the door. He was trembling and short of breath. Mrs. Richmond made him sit down and sponged his fevered brow with cold water. Five minutes later, a little slip of paper slid in under the door. It was the bill.

"Look at this!" he exclaimed. "Forty dirham a day. Eight dollars! That son of a bitch." The regular per diem rate for the room was twenty dirham, and the Richmonds, by taking it for a fortnight, had bargained it down to fifteen.

"Now, Freddy!"

"That bastard!"

"It's probably some sort of misunderstanding."

"He saw that receipt, didn't he? He made out that receipt himself. You know why he's doing it. Because of what's happened. Now I won't be able to cash my travelers' checks here either. That son of a bitch!"

"Now, Freddy." She smoothed the ruffled strands of white hair with a wet sponge.

"Don't you now-Freddy me! I know what I'm going to do. I'm going to the American Consulate and register a complaint."

"That's a good idea, but not today, Freddy. Let's stay inside until tomorrow. We're both too tired and upset. Tomorrow we can go there together. Maybe they'll know something about Cleveland by then." Mrs. Richmond was prevented from giving further council by a new onset of her illness. She went out into the hall, but returned almost immediately. "The door into the toilet is padlocked," she said. Her eyes were wide with terror. She had just begun to understand what was happening.


• • • • •


That night, after a frugal dinner of olives, cheese sandwiches, and figs, Mrs. Richmond tried to look on the bright side. "Actually we're very lucky," she said, "to be here, instead of there, when it happened. At least we're alive. We should thank God for being alive."

"If we'd of bombed them twenty years ago, we wouldn't be in this spot now. Didn't I say way back then that we should have bombed them?"

"Yes, darling. But there's no use crying over spilt milk. Try and look on the bright side, like I do."

"Goddamn dirty reds."

The bourbon was all gone. It was dark, and outside, across the square, a billboard advertising Olympic Bleue cigarettes (C'est mieux!) winked on and off, as it had on all other nights of their visit to Casablanca. Nothing here seemed to have been affected by the momentous events across the ocean.

"We're out of envelopes," Mrs. Richmond complained. She had been trying to compose a letter to her daughter.

Fred was staring out the window, wondering what it had been like: had the sky been filled with planes? Were they still fighting on the ground in India and Angola? What did Florida look like now? He had always wanted to build a bomb shelter in their backyard in Florida, but his wife had been against it. Now it would be impossible to know which of them had been right.

"What time is it?" Mrs. Richmond asked, winding the alarm.

He looked at his watch, which was always right. "Eleven o'clock, Bulova watch time." It was an Accutron that his company, Iowa Mutual Life, had presented to him at retirement.

There was, in the direction of the waterfront, a din of shouting and clashing metal. As it grew louder, Fred could see the head of a ragged parade advancing up the boulevard. He pulled down the lath shutters over the windows till there was just a narrow slit to watch the parade through.

"They're burning something," he informed his wife. "Come see."

"I don't want to watch that sort of thing."

"Some kind of statue, or scarecrow. You can't tell who it's meant to be. Someone in a cowboy hat, looks like. I'll bet they're Commies."

When the mob of demonstrators reached the square over which the Belmonte Hotel looked, they turned to the left, toward the larger luxury hotels, the Marhaba and El Mansour. They were banging cymbals together and beating drums and blowing on loud horns that sounded like bagpipes. Instead of marching in rows, they did a sort of whirling, skipping dance step. Once they'd turned the corner, Fred couldn't see any more of them.

"I'll bet every beggar in town is out there, blowing his horn," Fred said sourly. "Every goddamn watch peddler and shoeshine boy in Casablanca."

"They sound very happy," Mrs. Richmond said. Then she began crying again.

The Richmonds slept together in the same bed that evening for the first time in several months. The noise of the demonstration continued, off and on, nearer or farther away, for several hours. This too set the evening apart from other evenings, for Casablanca was usually very quiet, surprisingly so, after ten o'clock at night.


• • • • •


The office of the American Consul seemed to have been bombed. The front door was broken off its hinges, and Fred entered, after some reluctance, to find all the downstairs rooms empty of furniture, the carpets torn away, the moldings pried from the walls. The files of the consulate had been emptied out and the contents burned in the center of the largest room.

Slogans in Arabic had been scrawled on the walls with the ashes.

Leaving the building, he discovered a piece of typing paper nailed to the deranged door. It read: "All Americans in Morocco, whether of tourist or resident status, are advised to leave the country until the present crisis is over. The Consul cannot guarantee the safety of those who choose to remain."

A shoeshine boy, his diseased scalp inadequately concealed by a dirty wool cap, tried to slip his box under Fred's foot.

"Go away, you! Vamoose! This is your fault. I know what happened last night. You and your kind did this. Red beggars!"

The boy smiled uncertainly at Fred and tried again to get his shoe on the box. "Monsieur, monsieur," he hissed—or, perhaps, "Merci, merci."

By noonday the center of the town was aswarm with Americans. Fred hadn't realized there had been so many in Casablanca. What were they doing here? Where had they kept themselves hidden? Most of the Americans were on their way to the airport, their cars piled high with luggage. Some said they were bound for England, others for Germany. Spain, they claimed, wouldn't be safe, though it was probably safer than Morocco. They were brusque with Fred to the point of rudeness.

He returned to the hotel room, where Mrs. Richmond was waiting for him. They had agreed that one of them must always be in the room. As Fred went up the stairs the manager tried to hand him another bill. "I will call the police," he threatened. Fred was too angry to reply. He wanted to hit the man in the nose and stamp on his ridiculous spectacles. If he'd been five years younger he might have done so.

"They've cut off the water," Mrs. Richmond announced dramatically after she'd admitted her husband to the room. "And the man with the red hat tried to get in, but I had the chain across the door, thank heaven. We can't wash or use the bidet. I don't know what will happen. I'm afraid."

She wouldn't listen to anything Fred said about the Consulate. "We've got to take a plane," he insisted. "To England. All the other Americans are going there. There was a sign on the door of the Con—"

"No, Fred. No, not a plane. You won't make me get into an airplane. I've gone twenty years without that, and I won't start now."

"But this is an emergency. We have to. Darling, be reasonable."

"I refuse to talk about it. And don't you shout at me, Fred Richmond. We'll sail when the boat sails, and that's that! Now, let's be practical, shall we? The first thing that we have to do is for you to go out and buy some bottled water. Four bottles, and bread, and … No, you'll never remember everything. I'll write out a list."

But when Fred returned, four hours later, when it was growing dark, he had but a single bottle of soda, one loaf of hard bread, and a little box of pasteurized process cheese.

"It was all the money I had. They won't cash my checks. Not at the bank, not at the Marhaba, not anywhere." There were flecks of violet in his red, dirty face, and his voice was hoarse. He had been shouting hours long.

Mrs. Richmond used half the bottle of soda to wash off his face. Then she made sandwiches of cheese and strawberry jam, all the while maintaining a steady stream of conversation on cheerful topics. She was afraid her husband would have a stroke.

On Thursday the twelfth, the day before their scheduled sailing, Fred went to the travel agency to find out what pier their ship had docked in. He was informed that the sailing had been canceled permanently. The ship, a Yugoslav freighter, had been in Norfolk on December 4. The agency politely refunded the price of the tickets—in American dollars.

"Couldn't you give me dirham instead?"

"But you paid in dollars, Mr. Richmond." The agent spoke with a fussy, overprecise accent that annoyed Fred more than an honest French accent. "You paid in American Express Travelers' checks."

"But I'd rather have dirham."

"That would be impossible."

"I'll give you one to one. How about that? One dirham for one dollar." He did not even become angry at being forced to make so unfair a suggestion. He had been through this same scene too many times—at banks, at stores, with people off the street.

"The government has forbidden us to trade in American money, Mr. Richmond. I am truly sorry that I cannot help you. If you would be interested to purchase an airplane ticket, however, I can accept money for that. If you have enough."

"You don't leave much choice, do you?" (He thought: She will be furious.) "What will it cost for two tickets to London?"

The agent named a price. Fred flared up. "That's highway robbery. Why, that's more than the first-class to New York City!"

The agent smiled. "We have no flights scheduled to New York, sir."

Grimly, Fred signed away his travelers' checks to pay for the tickets. It took all his checks and all but fifty dollars of the refunded money. His wife, however, had her own bundle of American Express checks that hadn't even been touched yet. He examined the tickets, which were printed in French. "What does this say here? When does it leave?"

"On the fourteenth. Saturday. At eight in the evening."

"You don't have anything tomorrow?"

"I'm sorry. You should be quite happy that we can sell you these tickets. If it weren't for the fact that our main office is in Paris, and that they've directed that Americans be given priority on all Pan Am flights, we wouldn't be able to."

"I see. The thing is this—I'm in rather a tight spot. Nobody, not even the banks, will take American money. This is our last night at the hotel, and if we have to stay over Friday night as well.…"

"You might go to the airport waiting room, sir."

Fred took off his Accutron wrist watch. "In America this watch would cost $120 wholesale. You wouldn't be interested.…"

"I'm sorry, Mr. Richmond. I have a watch of my own."

Fred, with the tickets securely tucked into his passport case, went out through the thick glass door. He would have liked to have a sundae at the ice-cream parlor across the street, but he couldn't afford it. He couldn't afford anything unless he was able to sell his watch. They had lived the last week out of what he'd got for the alarm clock and the electric shaver. Now there was nothing left.

When Fred was at the corner, he heard someone calling his name. "Mr. Richmond. Mr. Richmond, sir." It was the agent. Shyly he held out a ten dirham note and three fives. Fred took the money and handed him the watch. The agent put Fred's Accutron on his wrist beside his old watch. He smiled and offered Fred his hand to shake. Fred walked away, ignoring the outstretched hand.

Five dollars, he thought over and over again, five dollars. He was too ashamed to return at once to the hotel.


• • • • •


Mrs. Richmond wasn't in the room. Instead, the man in the red fez was engaged in packing all their clothes and toilet articles into the three suitcases. "Hey!" Fred shouted. "What do you think you're doing? Stop that!"

"You must pay your bill," the hotel manager, who stood back at a safe distance in the hallway, shrilled at him. "You must pay your bill or leave."

Fred tried to prevent the man in the red fez from packing the bags. He was furious with his wife for having gone off—to the W.C. probably—and left the hotel room unguarded.

"Where is my wife?" he demanded of the manager. "This is an outrage." He began to swear. The man in the red fez returned to packing the bags.

Fred made a determined effort to calm himself. He could not risk a stroke. After all, he reasoned with himself, whether they spent one or two nights in the airport waiting room wouldn't make that much difference. So he chased the man in the red fez away and finished the packing himself. When he was done, he rang for the porter, and the man in the red fez returned and helped him carry the bags downstairs. He waited in the dark lobby for his wife to return, using the largest of the suitcases for a stool. She had probably gone to "their" restaurant, some blocks away, where they were still allowed to use the W.C. The owner of the restaurant couldn't understand why they didn't take their meals there any more and didn't want to offend them, hoping, perhaps, that they would come back.

While he waited, Fred occupied the time by trying to remember the name of the Englishman who had been a supper guest at their house in Florida three years before. It was a strange name that was not pronounced at all the way that it was spelled. At intervals he would go out into the street to try and catch a sight of his wife returning to the hotel. Whenever he tried to ask the manager where she had gone, the man would renew his shrill complaint. Fred became desperate. She was taking altogether too long. He telephoned the restaurant. The owner of the restaurant understood enough English to be able to tell him that she had not visited his W.C. all that day.

An hour or so after sunset, Fred found his way to the police station, a wretched stucco building inside the ancient medina, the non-European quarter. Americans were advised not to venture into the medina after dark.

"My wife is missing," he told one of the gray-uniformed men. "I think she may be the victim of a robbery."

The policeman replied brusquely in French.

"My wife," Fred repeated loudly, gesturing in a vague way.

The policeman turned to speak to his fellows. It was a piece of deliberate rudeness.

Fred took out his passport and waved it in the policeman's face. "This is my passport," he shouted. "My wife is missing. Doesn't somebody here speak English? Somebody must speak English. Ing-lish!"

The policeman shrugged and handed Fred back his passport.

"My wife!" Fred screamed hysterically. "Listen to me—my wife, my wife, my wife!"

The policeman, a scrawny, mustached man, grabbed Fred by the neck of his coat and led him forcibly into another room and down a long, unlighted corridor that smelled of urine. Fred didn't realize, until he had been thrust into the room, that it was a cell. The door that closed behind him was made not of bars, but of sheet metal nailed over wood. There was no light in the room, no air. He screamed, he kicked at the door and pounded on it with his fists until he had cut a deep gash into the side of his palm. He stopped to suck the blood, fearful of blood poisoning.

He could, when his eyes had adjusted to the darkness, see a little of the room about him. It was not much larger than Room 216 at the Belmonte, but it contained more people than Fred could count. They were heaped all along the walls, an indiscriminate tumble of rags and filth, old men and young men, a wretched assembly.

They stared at the American gentleman in astonishment.


• • • • •


The police released Fred in the morning, and he returned at once to the hotel, speaking to no one. He was angry, but, even more, he was terrified.

His wife had not returned. The three suitcases, for a wonder, were still sitting where he had left them. The manager insisted that he leave the lobby, and Fred did not protest. The Richmonds' time at the hotel had expired, and Fred didn't have the money for another night, even at the old rate.

Outside, he did not know what to do. He stood on the curbside, trying to decide. His pants were wrinkled, and he feared (though he could not smell it himself) that he stank of the prison cell.

The traffic policeman in the center of the square began giving him funny looks. He was afraid of the policeman, afraid of being returned to the cell. He hailed a taxi and directed the driver to go to the airport.

"Oú?" the driver asked.

"The airport, the airport," he said testily. Cabbies, at least, could be expected to know English.

But where was his wife? Where was Betty?

When they arrived at the airport, the driver demanded fifteen dirhams, which was an outrageous price in Casablanca, where cabs are pleasantly cheap. Having not had the foresight to negotiate the price in advance, Fred had no choice but to pay the man what he asked.

The waiting room was filled with people, though few seemed to be Americans. The stench of the close air was almost as bad as it had been in the cell. There were no porters, and he could not move through the crowd, so he set the suitcases down just outside the entrance and seated himself on the largest bag.

A man in an olive-drab uniform with a black beret asked, in French, to see his passport. "Votre passeport," he repeated patiently, until Fred had understood. He examined each page with a great show of suspicion, but eventually he handed it back.

"Do you speak English?" Fred asked him then. He thought, because of the different uniform, that he might not be one of the city police. He answered with a stream of coarse Arabic gabbling.

Perhaps, Fred told himself, she will come out here to look for me. But why, after all, should she? He should have remained outside the hotel.

He imagined himself safely in England, telling his story to the American Consul there. He imagined the international repercussions it would have. What had been the name of that Englishman he knew? He had lived in London. It began with C or Ch.

An attractive middle-aged woman sat down on the other end of his suitcase and began speaking in rapid French, making quick gestures, like karate chops, with her well-groomed hand. She was trying to explain something to him, but of course he couldn't understand her. She broke into tears. Fred couldn't even offer her his handkerchief, because it was dirty from last night.

"My wife," he tried to explain. "My—wife—is missing. My wife."

"Bee-yay," the woman said despairingly. "Vote bee-yay." She showed him a handful of dirham notes in large denominations.

"I wish I could understand what it is you want," he said.

She went away from him as though she were angry, as though he had said something to insult her.

Fred felt someone tugging at his shoe. He remembered, with a start of terror, waking in the cell, the old man tugging at his shoes, trying to steal them but not understanding apparently, about the laces.

It was only, after all, a shoeshine boy. He had already begun to brush Fred's shoes, which were, he could see, rather dirty. He pushed the boy away.

He had to go back to the hotel to see if his wife had returned there, but he hadn't the money for another taxi and there was no one in the waiting room that he dared trust with the bags.

Yet he couldn't leave Casablanca without his wife. Could he? But if he did stay, what was he to do, if the police would not listen to him?

At about ten o'clock the waiting room grew quiet. All that day no planes had entered or left the airfield. Everyone here was waiting for tomorrow's plane to London. How were so many people, and so much luggage, to fit on one plane, even the largest jet? Did they all have tickets?

They slept anywhere, on the hard benches, on newspapers on the concrete floor, on the narrow window ledges. Fred was one of the luckiest, because he could sleep on his three suitcases.

When he woke the next morning, he found that his passport and the two tickets had been stolen from his breast pocket. He still had his billfold, because he had slept on his back. It contained nine dirham.


• • • • •


Christmas morning, Fred went out and treated himself to an ice-cream sundae. Nobody seemed to be celebrating the holiday in Casablanca. Most of the shops in the ancient medina (where Fred had found a hotel room for three dirham a day) were open for business, while in the European quarter one couldn't tell if the stores were closed permanently or just for the day.

Going past the Belmonte, Fred stopped, as was his custom, to ask after his wife. The manager was very polite and said that nothing was known of Mrs. Richmond. The police had her description now.

Hoping to delay the moment when he sat down before the sundae, he walked to the post office and asked if there had been any answer to his telegram to the American Embassy in London. There had not.

When at last he did have his sundae, it didn't seem quite as good as he had remembered. There was so little of it! He sat down for an hour with his empty dish, watching the drizzling rain. He was alone in the ice-cream parlor. The windows of the travel agency across the street were covered up by a heavy metal shutter, from which the yellow paint was flaking.

The waiter came and sat down at Fred's table. "Il pleut, Monsieur Richmon. It rains. Il pleut."

"Yes, it does," said Fred. "It rains. It falls. Fall-out."

But the waiter had very little English. "Merry Christmas," he said. "Joyeux Noël. Merry Christmas."

Fred agreed.

When the drizzle had cleared a bit, Fred strolled to the United Nations Plaza and found a bench, under a palm tree, that was dry. Despite the cold and damp, he didn't want to return to his cramped hotel room and spend the rest of the day sitting on the edge of his bed.

Fred was by no means alone in the plaza. A number of figures in heavy wooden djelabas, with hoods over their heads, stood or sat on benches, or strolled in circles on the gravel paths. The djelabas made ideal raincoats … Fred had sold his own London Fog three days before for twenty dirham. He was getting better prices for his things now that he had learned to count in French.

The hardest lesson to learn (and he had not yet learned it) was to keep from thinking. When he could do that, he wouldn't be angry, or afraid.

At noon the whistle blew in the handsome tower at the end of the plaza, from the top of which one could see all of Casablanca in every direction. Fred took out the cheese sandwich from the pocket of his suit coat and ate it, a little bit at a time. Then he took out the chocolate bar with almonds. His mouth began to water.

A shoeshine boy scampered across the graveled circle and sat down in the damp at Fred's feet. He tried to lift Fred's foot and place it on his box.

"No," said Fred. "Go away."

"Monsieur, monsieur," the boy insisted. Or perhaps, "merci, merci."

Fred looked down guiltily at his shoes. They were very dirty. He hadn't had them shined in weeks.

The boy kept whistling those meaningless words at him. His gaze was fixed on Fred's chocolate bar. Fred pushed him away with the side of his foot. The boy grabbed for the candy. Fred struck him on the side of the head. The chocolate bar fell to the ground, not far from the boy's callused feet. The boy lay on his side, whimpering.

"You little sneak!" Fred shouted at him.

It was a clear-cut case of thievery. He was furious. He had a right to be furious. Standing up to his full height, his foot came down accidentally on the boy's rubbishy shoeshine box. The wood splintered.

The boy began to gabble at Fred in Arabic. He scurried forward on hands and knees to pick up the pieces of the box.

"You asked for this," Fred said. He kicked the boy in the ribs. The boy rolled with the blow, as though he were not unused to such treatment. "Little beggar! Thief!" Fred screamed.

He bent forward and tried to grasp a handhold in the boy's hair, but it was cut too close to his head, to prevent lice. Fred hit him again in the face, but now the boy was on his feet and running.

There was no use pursuing him, he was too fast, too fast.

Fred's face was violet and red, and his white hair, in need of a trim, straggled down over his flushed forehead. He had not noticed, while he was beating the boy, the group of Arabs, or Moslems, or whatever they were, that had gathered around him to watch. Fred could not read the expressions on their dark, wrinkly faces.

"Did you see that?" he asked loudly. "Did you see what that little thief tried to do? Did you see him try to steal … my candy bar?"

One of the men, in a long djelaba striped with brown, said something to Fred that sounded like so much gargling. Another, younger man, in European dress, struck Fred in the face. Fred teetered backward.

"Now see here!" He had no time to tell them he was an American citizen. The next blow caught him in the mouth, and he fell to the ground. Once he was lying on his back, the older men joined in in kicking him. Some kicked him in the ribs, others in his head, still others had to content themselves with his legs. Curiously, nobody went for his groin. The shoeshine boy watched from a distance, and when Fred was unconscious, came forward and removed his shoes. The young man who had first hit him removed his suit coat and his belt. Wisely, Fred had left his billfold behind at his hotel.

When he woke, he was sitting on the bench again. A policeman was addressing him in Arabic. Fred shook his head uncomprehendingly. His back hurt dreadfully, from when he had fallen to the ground. The policeman addressed him in French. He shivered. Their kicks had not damaged him so much as he had expected. Except for the young man, they had worn slippers instead of shoes. His face experienced only a dull ache, but there was blood all down the front of his shirt, and his mouth tasted of blood. He was cold, very cold.

The policeman went away, shaking his head.

At just that moment, Fred remembered the name of the Englishman who had had supper in his house in Florida. It was Cholmondeley, and it was pronounced Chum-ly. He was still unable to remember his London address.

Only when he tried to stand did he realize that his shoes were gone. The gravel hurt the tender soles of his bare feet. Fred was mortally certain that the shoeshine boy had stolen his shoes.

He sat back down on the bench with a groan. He hoped to hell he'd hurt the goddamn little son of a bitch. He hoped to hell he had. He grated his teeth together, wishing that he could get hold of him again. The little beggar. He'd kick him this time so that he'd remember it. The goddamn dirty little red beggar. He'd kick his face in.

The End



© 1967 by Thomas M. Disch. First published in Stories “That Scared Even Me”, ed. Alfred Hitchcock, Random House, 1967

domingo, 7 de junio de 2009

The Man Who Would be Kong



The Man Who Would be Kong

by Andrew Fox

Gorilla man Max Strauss stared at the obituaries page of the evening newspaper. His vision blurred with tears. The front section, heavy with stories about Watergate and Cambodia and record-setting inflation, lay discarded on the floor. He sat on the bed of his efficiency apartment, a fourth floor walk-up that overlooked an alleyway. Its walls were papered with yellowed Hollywood news clippings and once-glossy photos of small-time film actors outfitted in loincloths, space helmets, or animal costumes. The obituary photo he stared at was of a man with blunt but handsome features, a worldly grin, and a dapper fedora tilted a few degrees south.

Yearning for the comfort of something loved and long-familiar, the old man pulled his gorilla mask over his face, thankful for its intimate smells and darkness. His tears flowed through the mask's eyeholes and down the black rubber skin.

The man in the obituary was Robert Armstrong, the actor who played Carl Denham, the impresario who captured King Kong.


· · · · ·


The next morning, in a nearly-completed Miami Beach restaurant four blocks away, another Carl, Carl Lipkin, yelled into his phone, arguing with a napkin purveyor. This Carl was an impresario, too.

His friend, Alessandra, perched atop a fifteen-foot ladder, squinted and puckered her lips as she applied the last daubs of paint to a blue and white star on the wing of an army biplane. She looked as tiny and vulnerable as Fay Wray had, lying on an Empire State Building ledge one hundred and two stories high, waiting for Bruce Cabot to arrive after the big ape fell. Alessandra was nearly done with her mural, which took up an entire wall of the main dining room. It was a panorama of the Miami Beach skyline, circa 1938, with a squadron of Curtis fighter planes flying high above a glistening ocean and Buck Rogers-style hotel towers.

Outside the restaurant, Max shielded his eyes from the fierce sun and knocked on the plate-glass window. He carried his gorilla head under his arm.

"No! I absolutely refuse to accept them!" Carl's face was as disheveled as a wadded-up napkin. His knuckles had turned white from squeezing the mouthpiece of the phone. "Give them to the Salvation Army, for all I care! No, you did not show me a proof! I gave you clear instructions—it's 'Carl's' with a C, not with a K! Believe me, I know I'm supposed to be opening in three days! No … no! I'll get them somewhere else!" He slammed the receiver down hard enough to knock the phone from the table. It didn't get him his napkins, but it made him feel better. The old man with the gorilla head was still knocking on the window.

"Carl," Alessandra called from the top of her ladder. "There's an old man with a gorilla head knocking on your window. Maybe you should see what he wants?"

Carl was busy picking up the phone from the floor. He quickly glanced at the window. "Oh. That's just Max. He can wait a minute. It's not like he's got anyplace else to go."

Carl disconnected the cord and held the receiver in the air until the tangled plastic finished twirling. Then he went to the door and unlocked it.

Max shuffled into the restaurant's doorway. The weave of his straw fedora, like the hem of his peach-colored slacks, was coming undone. His gorilla head, a mask stuffed with old newspapers, wasn't in much better shape. Tufts of its fur had been falling out since the Charleston had gone out of style. One of its rubber nostrils had melted where Max had accidentally let it lean against his car window during a drive to a birthday party in Ft. Lauderdale on a hot afternoon. Max blinked rapidly while his eyes adjusted to the dimmer light. He looked around him, nodding with approval. His still-sparkling blue eyes lingered on the restaurant's impressive centerpiece: a fifteen-foot-long black plastic arm emerging from artfully arranged "rubble" in the rear wall, grasping a blond-wigged mannequin in its huge fingers. The arm of Kong.

"So?" he asked, his voice rising with a Yiddish lilt that couldn't hide a tinge of sadness. "Have you heard the news about Bobby?"

Carl gently took hold of Max's arm and pulled him into the room, closing the door behind him. Air-conditioning was expensive. "Who are you talking about, Max? Bobby who?"

"Bobby Armstrong, that's who! Don't tell me you haven't read the obituaries!"

The news took a few seconds to register. "Robert Armstrong … aw, jeez. When did it happen, Max?"

"It was in the papers yesterday. He died in his sleep. We should all go out that way, God willing!"

Carl stared at the floor and slowly shook his head. "Yeah, right …"

Alessandra had climbed down from her ladder. "What's going on? Who died?"

Max faced her, trying not to stare at the gold hoop that pierced her left nostril or the orange streak in her long black hair. He extended his hand with gallant formality. "I don't believe I've ever had the pleasure, Miss—?"

She smiled and placed her hand lightly in his. "Alessandra." She turned to Carl. "So who croaked?"

"Robert Armstrong. You remember Carl Denham in King Kong?"

Alessandra's green eyes scanned the ceiling, as if the answer might be hidden among the track lighting fixtures. "Mmmm … no."

"The guy who hired the boat that went to Skull Island? The one who tossed the gas grenade that knocked Kong out? You know—the movie producer character!"

Her eyes lit with recognition. "Oh! The asshole who almost gets everybody killed!"

"A prince of a man!" Max interjected. "One of the great actors of Hollywood! He really knew how to treat people, that Bobby did. A tragedy, a tragedy. There aren't that many of us old-timers left, you know. That's why I called the newspaper."

Carl's mouth fell open. "The Miami Herald?"

"Of course. What other newspaper is there?"

"Oh, Max. You didn't tell them—?"

The wattles around the old man's neck flattened out as his jaw stiffened. "Of course I told them! Why shouldn't I tell them? I was his co-star! The biggest co-star he ever had!"

Carl rubbed his tired, irritated eyes. "So what did they have to say, Max?"

"What do you think? They were thrilled to hear from me! They sent out a nice reporter lady to talk with me yesterday afternoon. And a picture-taker. I posed with Mr. Kong here." He held out the gorilla head for Alessandra to look at. "So don't miss the paper tonight. And one other thing, Carl. You may be getting an important phone call."

Carl wished he had a glass of water. Scotch would be even better. "Oh, boy. What kind of phone call?"

Max smiled. His dentures gleamed. "I can't tell you yet. It's a big surprise! But a good surprise!"

Alessandra eyed the old man with new interest. "Wow! I never met such a big celebrity before! Hey Carl, how come you never told me you knew Mr. Max here?"

"That's Mr. Strauss, my dear. Max is my first name."

Carl tried to remember where he had stashed the aspirin. His shirt was beginning to stick to his back. "Uh, jeez, with everything going on, I guess it just slipped my mind …"

Max put the gorilla head down on a table and draped a thin arm around Carl's shoulders. "Carl. I must tell you something. When I first met you, when I first saw what you try to do here, I thought, 'What is this meshugge boy doing? Tearing up a nice cafeteria like that?' But now, I must tell you, I look around at what you have done, and I am proud of you." He gestured for Alessandra to come closer. "Let me tell you young people something. You know what is the most important goal in life? Listen to me. The most important goal is to do one very, very good thing. Like me. More than forty years ago—forty years!—I starred in a very, very good movie. An important movie! What I did in that movie, people remember it forever. It gets in their hearts. I was a monster, a thirty-foot-high monster, but I make them cry for me. And that one thing, that one movie, it makes everything else okay. All the crummy, lousy pictures I was in, those chapter serials, just to put some food on my family's plates. Like you, Carl. Maybe you worked years in Burger King to save up money for this place, huh? Is that where you worked? But now you have this restaurant, this beautiful restaurant, to show for it, and it makes it all worthwhile. Right?"

He gave Carl's shoulders a squeeze. Carl pushed his glasses back up his nose. He couldn't think of a word to say.

Alessandra handed Max back his gorilla head, first smoothing its matted fur. "That was a wonderful story, Mr. Strauss." She smiled gently. "I hope I find my one very, very good thing. It's why I came down here." Alessandra had moved down from Manhattan two months before to help her friend Carl with the renovations needed at his newly purchased restaurant. Painting was her first love, so she had jumped at the opportunity to create a mural inside the building.

Max patted her hand. "You'll find it. I'm sure you will." He bowed slightly, then shuffled toward the door. He placed a hand on the gilded knob then started as he remembered why he had come. "Oh! Carl! I almost forgot!" He hustled back to the proprietor and placed the gorilla head in his hands. "Here! You'll want this for your restaurant, won't you? As a loaner, of course. I'll need to borrow it back for my jobs. You can put the whole suit on display, if you want. It was too hot today to schlep the whole thing over here, though."

Carl grimaced as the mass of ancient fur and rubber landed in his hands. He handled the mask like it was a dead muskrat. "Oh, Max, no—I can't accept this from you! It's, uh, far too valuable for me to be responsible for it! What if, you know, some little kid should run out the door with it? It's not like I can ever replace it for you."

Max shrugged his shoulders. "Okay. Suit yourself." He accepted the gorilla head back. "If you don't want to have the original King Kong suit on display in your restaurant, who am I to argue? You're the businessman, not me." He winked at Alessandra, then at Carl. "I'll be seeing you!"

Alessandra watched him leave, a proud jauntiness in his slow stride. She turned to Carl. "I can't believe you passed up an opportunity like that!"

"What? To put his mangy old gorilla suit on display in here? You must be kidding!"

"But you heard what he said! That's the original King Kong suit!"

"Oh, come on, Aless! Don't you know anything about movies?"

"Don't get all testy with me! And what don't I know?"

Carl smacked his palm against his high, sweating forehead. "King Kong was an eighteen-inch-tall model!"

Alessandra sucked in her breath. "He was a midget?"

"No, not a midget! A model! Like—like a toy, a puppet! He was animated, moved bit by bit between frames of film. I thought everybody knew this! Everybody but Max, that is."

Alessandra's jaw drooped. "You—you mean, he wasn't …"

Carl sighed. "No. He wasn't. What he is is the biggest bullshit artist in Miami Beach!" He bit his lip. His voice was immediately softer. "I'm sorry. I shouldn't have called him that. He isn't a bullshitter. You want to know the most pathetic thing about it? I really think he believes his own story. Over the last forty years, somehow he's convinced himself that he played King Kong."

"Was he in the movie at all?"

Carl shrugged his shoulders. "Maybe as an extra. Maybe he played one of the natives or a train rider that gets squashed. Who knows? I did a little research after I met him. Far as I can tell, Max was always a gorilla man in Hollywood. There were a bunch of them. Guys who owned their own gorilla suits. Producers of Grade Z movies loved them, 'cause they could hire a stuntman and a gorilla suit at the same time."

"What kind of movies was he in?"

"A bunch of jungle serials. Republic Studios made lots of them during the forties. The only feature film I was ever able to trace him to was something called The Lemon Drop Kids Meet a Brooklyn Gorilla."

Alessandra made a face. "Was it awful?"

"Honey, awful is too mild a word. Actually, Max was the best thing in it."

Alessandra pulled herself up onto a bar stool. "So how did you meet him?"

Carl fixed her a seltzer with a splash of lemon juice. He poured himself an imported beer. "He almost hit me over the head is how we met. I had just started working on this place, and I looked out the window and there's this old guy out there having some kind of fit. I thought maybe he's choking or having a heart attack or something, so I ran outside to see if I could help. Well, it's not a fit he's having, it's a temper tantrum, and the only thing being attacked was me."

"Sweet old Mr. Max? I can't imagine him attacking anything. Except maybe a bowl of borscht."

"He almost had me for lunch. Actually, that's what it was all about—lunch. He thought I'd had something to do with closing down the cafeteria that used to be in this building. Katz's Cafeteria. Well, the place had closed two years before I set foot in Miami Beach. The sense of time, I think it's one of the first things to go. Anyway, to keep him from having a real heart attack, I invited him inside. I figured maybe I could calm him down, y'know, tell him about our Early Bird specials. I was trying to be friendly; I didn't want him organizing neighborhood protests. Gray Panthers, that's all I needed …" Carl shuddered, then took a deep gulp of beer. "I showed him my drawings of the place. Aless, it was uncanny—in an instant I went from being Hitler to Max's favorite grandson. The whole story spilled out of him in thirty seconds."

"And you never, y'know, told him what you know about the movie?"

Carl glared at her. "What do you think? I didn't have the heart. It's eating me up inside, this business about him calling the newspaper. Someone's bound to know the real deal. Once word gets out, some mean bastard'll come running down here to rub Max's nose in the truth."

The phone rang. Carl spilled half his remaining beer on his newly varnished bar. "Shit! Wipe that up, would you, Aless?" He grabbed the phone. "Carl Lipkin Enterprises. Hello?" Alessandra didn't bother wiping up the spill. Watching Carl's face was much more interesting. "Yes, we're opening in three days, we'd be delighted—" Then the caller stuck a pin in Carl's balloon, and the air fizzled out of his outsized smile. "Uh, sure. We can accommodate you. Tonight at seven would be fine. Good-bye."

Carl hung up the phone. He shuffled back to the bar like a condemned man, covered his face with his hands, and groaned. His elbows rested in the spilled beer. He didn't seem to notice.

Alessandra quietly set her drink down. Gingerly, she touched Carl's shoulder. "Carl? What was all that about?"

"Max." With his hands covering his face, it sounded like Mmaaaggs.

"That was Max on the phone?"

Carl lifted his face. "It wasn't Max. It was about Max. He called WSVN. The NBC affiliate. They want to interview Max. Here. In the restaurant. They're sending a camera crew by tonight."

Alessandra thought about her mural and Carl and Max being on television. "Oh?" Then she thought about it some more. She put her arm around Carl's slumped shoulders. "Ohhh."

Max arrived at 6:45 P.M. In his gorilla suit. Carl was dressed in an expensive Italian ensemble, mauve, with a matching Kong-on-the-Empire-State-Building tie. Alessandra wore her prettiest Slavic peasant dress, the one that laced up the front.

The camera crew arrived early. The reporter was a handsome young black man whom Carl vaguely recognized. As they set up their lights, Carl admired the twelve-foot-high, stainless steel sculpture of the Delano Hotel, Miami Beach's tallest Art Deco tower, that had arrived at the restaurant just that afternoon. The next day, it would be installed in the fountain in the middle of his foyer. No doubt about it, his establishment was shaping up to be a real showplace. At least my place'll be shown on television, Carl told himself, his stomach lurching.

The reporter clipped on his miniature microphone. The video camera began to hum. Max dropped to a crouch and started scratching himself. "This is Mitch Darby," the reporter intoned, every syllable perfect, "and we're here this evening at the soon-to-be-opening Carl's Restaurant. I have with me owner Carl Lipkin, and Max Strauss, the man who portrayed the original King Kong." He turned to Max, who was energetically bobbing up and down. "Mr. Strauss, would you mind taking off your mask? I'm sure our viewers would like to see what you really look like."

Max complied. His face was flushed from the heat, but his smile was unwilted. "Hello! Hello!" Standing up straight, he bumped into the stainless steel tower next to him. "Carl! This isn't the Empire States Building!"

Carl smiled weakly. "I've explained that to you, Max. It's the Delano Hotel. You know, the one on Collins Avenue."

The reporter stuck his microphone in Carl's face. "I was wondering about that myself, Mr. Lipkin. What is the connection between Miami Beach and King Kong?"

Carl cleared his throat. "Carl's Restaurant is based on a unique concept. As you probably know, the character who captured Kong was named Carl Denham—"

"Portrayed by the recently deceased Robert Armstrong?"

"Uh, right. And the man who founded Miami Beach was also named Carl. Carl Fisher. What I've done is to amalgamate two great Carls into one: Carl Denham Fisher. The story you see told in the murals around the restaurant is that, when Kong is captured, he isn't put on display in New York. Carl Denham Fisher brings him back to Miami Beach. He chains Kong up in the middle of the old dog track."

Darby eyed the tall sculpture. "And he meets his death atop the Delano Hotel?"

"That's right. About our menu—"

"A fascinating concept." He swiveled smoothly around to Max. "And you, Mr. Strauss? Are you pleased with this new restaurant concept?"

Max bobbed his head vigorously. "Oh yes! Yes! The food here will be just as good as the food at Katz's Cafeteria. Everyone should come. And Carl tells me I can eat for free at the Sunday Early Bird for as long as I live!"

Darby smiled for the camera. "Mr. Strauss, what was it like to portray King Kong?"

Max's eyes strayed from the camera to the nearly completed murals on the wall. "It was wonderful. The greatest thing I ever did." His expression became intensely thoughtful. "You know why my Kong came out so good? Because him and me, we were practically the same person. Oh, I wasn't brought to America like he was, in chains. But I came over in the dark hold of a big boat. And when I got here, the American girls—they were so beautiful. I wanted to kiss every single one I saw. But I couldn't, you know. I was an immigrant. I didn't speak English. And people could be so mean. There were days—I don't like to think of them now—when I wanted to smash trains and throw people out of windows, just like Kong did."

Max was silent for a few seconds. The reporter frowned. "Can you tell us how the special effects were done? They were pretty amazing for the nineteen thirties."

Max came back to earth. "Sure! Like when I was climbing the Empire States Building. What they did was, they built a big model of the building, only they laid it flat, on the ground, see? And they turned the camera sideways. That made it easy for me to climb. Now, when they needed a shot of Miss Fay Wray in my paw—Miss Wray, she was a queen!—they built a great big gorilla arm, just like that one back there, and they wrapped the fingers around her. If it was a far-away shot, they gave me a little doll of Miss Wray to carry around. And the dinosaurs—"

A man behind the cameras slit his throat with his finger. Darby picked up the signal. "Thank you very much, Mr. Strauss." The reporter turned back to the camera. "This is Mitch Darby for Channel Seven News." The hot lights clicked off. Darby shook Max's fur-gloved hand. "Thanks so much. My kids really love your film. They'll go bananas when they see this later tonight. Just one thing, though. Somewhere I got the idea that King Kong was just a little model."

Max didn't miss a beat. "Oh, that rumor?" He made a dismissive wave with his paw. "That's jealous old Gormon talking."

Carl moved closer. He had never heard this part of the story before. "Gormon?"

"Yeah, Gormon, that gonif! Another gorilla man, like me. He wanted the part, too. But he didn't get it. So he runs around Hollywood the last forty years, the evil yenta, spreading this rumor that Kong was a little toy. A little toy!" He harrumphed. "Could a little toy make people believe in Kong, the way I did? Gormon. May bugs infest his food! May he never have a good night's sleep!"

The camera crew finished loading the last of their equipment into their van. Darby took a final look around the restaurant. "Great looking place you've got here. Thanks again."

Carl watched the van drive off down Washington Avenue. It hadn't gone so badly. Max had done all right. Maybe everyone in Miami was an ignoramus when it came to movies. Maybe.

The next day was inspection day. Not Carl's notion of a fun day. He followed the health inspector around the restaurant like a stray dog, unsure whether this quiet stranger would toss him a biscuit or turn and kick him in the ribs. Another stranger walked through the front doors, this one with a bulging file underneath his arm. Carl reluctantly broke away from the health inspector.

He dabbed the sweat from his forehead, using a Karl's-with-a-K napkin. "Hello! Can I help you, sir?"

"I hope you can." The stranger had enormous, bushy eyebrows, like Leonid Brezhnev's. He smelled a little like spoiled milk or cat urine. "I'm looking for Max Strauss. He around here?"

"No. He's not. Who are you?"

The stranger pulled a press card from his expandable file and shoved it under Carl's nose. "I'm Pete Zucker. Miami Herald film critic. You have any idea where this Strauss might be?"

Carl's stomach turned as sour as the reporter's odor. "No. Maybe he's at his apartment? Not that I know where he lives—"

"I already checked there. He wasn't home." Zucker took a cursory glance around the restaurant, bustling with last-minute carpenters. "Nice place you've got here. Maybe I'll come by for lunch sometime. You give a discount to journalists?"

"I hadn't thought about that yet." Carl wiped his palms on his chinos, leaving visible wet streaks on the combed cotton. "Look, what do you want to see Max about?"

"You read this article yet?" Zucker pulled a long clipping from his file and handed it to Carl. "It's from last night's Herald. Makes me ashamed to be working for that rag. If that brainless bimbo Louise Popner had just checked with me before she jumped on this 'story,' she wouldn't be having to print a correction tomorrow."

Carl looked up from Max's smiling newspaper photo. "A correction?" Suddenly he wished he were back in Manhattan, hawking tie-dyed sneakers from a stall on St. Mark's Place again. "Uh, is that, like, really necessary?"

"We're a reputable newspaper, not the National Examiner. Of course it's necessary! Hey, you got a glass of ice water around here?" Carl fixed him a glass. Zucker chewed the ice. To Carl it sounded like breaking bones. "Every couple years, another old guy pops up, claiming to have 'played' King Kong. I knew Robert Armstrong's death would flush some fakers out. It just burns my ass when somebody tries to steal credit from Willis O'Brien, the animator. That O'Brien, he was a genius, and today practically nobody recognizes his name. It's you I'm kinda surprised at. Looking around this place, I'd figure you know your movies. Why did you ever let this bum in the door?"

"Look, he's really a very sweet old man—"

Out of the corner of his eye, Carl saw the last thing he wanted to see. It was Max, wearing his best Bermuda shorts, a stack of newspapers under his arm, about to enter the front door. Carl scoured his brain for some way to warn him away. But before he could think of anything, Max had already strolled inside.

Zucker caught the look on Carl's face and turned toward the door. His fingers clenched around his thick file. "You're Strauss, aren't you?"

Max smiled, revealing freshly polished dentures. "Yes! Max Strauss, at your service!" He extended his right hand. "Who am I having the pleasure of meeting?"

Zucker's hands stayed at his sides. "Pete Zucker, film critic for the Miami Herald."

"Oh, a newspaper man!" Max smiled even more broadly. "What a coincidence! I was just out, seeing my friends, giving away these newspapers. Here, Carl. I got one for you! And one for Miss Alessandra! Is she here?"

Carl shook his head. The movement made him slightly queasy. "She's on her lunch break, Max."

"Oh, well! I'm sure I'll see her. Carl, I have to tell you, my phone has been ringing off the hook! Everybody in town wants me for their kid's birthday party! I'll be booked until next Rosh Hashana!" He beamed. "So how come this newspaper man is here to see you? He's doing a story on your restaurant, I hope?"

Zucker lit a cigarette despite the "No Smoking" signs. "Actually, Mr. Strauss, it's you I was looking for. I want to talk with you about your favorite movie. King Kong."

Max's eyes lit up like a Fourth of July fireworks display. "Oh, of course, of course! So much attention I'm getting lately! Let me tell you, that Bobby Armstrong, he was a prince—"

Zucker held up a hand. Something in his face, in the harsh way he flicked an ash into a water glass, made Max stop. "Hang on a second, pal. I want to show you some photos. You like looking at photos? Most old folks do."

Carl could see the growing confusion in Max's face. The old man's smile began to fade. "Uh, sure. Sure!"

Zucker laid his file on the bar. He pulled out a set of 8 x 10-inch photos and a couple of thick hardbound books. Carl quickly read one of the titles. Movie Magic: the Secrets Behind the Classic Films. The film critic slapped a photo down on the bar. It was a picture of a technician kneeling next to a scale model of a skyscraper, manipulating the arms of a foot-and-a-half-tall gorilla figure that was clinging to the building.

"That's King Kong, Strauss. Not a man in an ape suit. An eighteen-inch-tall animated model."

"That—that must be a picture from a different movie …"

"Come on, pal. Name me another film where a giant gorilla climbs up the side of a building."

Max glanced quickly at Carl. The old man's eyes were the eyes of a frightened child. "Uh, maybe, maybe they used a little model like that for some shots. For far-away shots. Some of the things they needed Kong to do, they were too hard for me …"

Zucker took a quick drag off his cigarette. He was enjoying this. "So which scenes were you in, Strauss? The scene where Kong shakes the sailors off the log? The scene where he fights the Tyrannosaurus?"

Max nodded vigorously. "Yes! Yes, those were the ones! I did those!"

Taking his time, Zucker flipped through Movie Magic until he arrived at the pages he had dog-eared. More black and white photos. Model-maker Marcel Delgado posing with the little Kong and a three-foot-long log studded with model sailors. Willis O'Brien, his brow furrowed, adjusting the little Kong's fist so that it appeared to crash into the jaw of a twenty-five-inch-tall flesh-eating dinosaur.

The color drained from Max's face. Suddenly, he looked even older than his seventy-four years. "It was Gormon." He stared at Carl with pleading, tear-filled eyes. "Tell him, Carl. Tell him it was Gorman. Gorman had those pictures made. Tell him."

Carl leaned heavily against the bar. He wished the island of Miami Beach would open up and swallow him. "It was Gorman." His voice was as flat and dismal as the Everglades swamps.

Max belched. It was a terrible sound, like everything inside him was breaking up. He covered his mouth with a white, liver-spotted hand. "I've gotta go, Carl. I've … I've gotta go."

The newspapers fell from his limp arm as he walked quickly toward the door. Alessandra was just coming back from lunch.

"Hiya, Maxie! Saw you on TV last night. You looked good! Hey—hey, Max? What's the matter?"

He rushed past her into the hot street. Alessandra cast a questioning glance at Carl. He wouldn't meet her gaze. She turned and pushed back through the door. "Hey, Max! Wait up!"

Zucker stubbed out his cigarette on the side of his glass and pushed his books and photographs back into his file. "Huh. Didn't think the old guy would take it so hard. All I wanted was for him to stop lying."

Carl stared at the crushed cigarette floating in the glass of water. "You prick. You stupid, malicious prick. Don't even think about coming here for a discount lunch."

Max was still trembling as he untaped his clippings from the walls of his apartment. He fought down queasiness as he sorted them, then smoothed their curled edges and carefully placed them in labelled manila envelopes.

Someone knocked rapidly on his door. "Max? Open up! It's Aless. I want to talk with you!" There was a pause before she knocked again, even more insistently. "I know you're in there, Max! I can see the light from under the door. Please open up."

Max didn't make a sound. He continued removing photos from the walls. Carl might want these pictures, someday. After a few minutes, Max heard Alessandra retreat from his door. Her footsteps faded. His photographs faded. Everything was fading away.

Max felt the queasiness rising again. His left arm ached. He walked to the black-furred costume mounted on an old seamstress's mannequin in the corner of his room. He reached out with his right hand and stroked its fur.

"You've always been the strong one, my friend," he said. His lips felt numb. "I need your strength now."

Opening night finally arrived. Carl rented an elegant black tuxedo. Alessandra borrowed a gown and heels. The paint on her murals was barely dry. The dining room glowed with pink and turquoise neon. Water jets spurting from the fountain surrounding the stainless steel Delano Hotel glistened like the welcoming spirits of deceased movie stars. Carl and Alessandra stood at the waiters' station near the back of the room, under the giant gorilla arm, watching the staff cater to the needs of well over a hundred diners.

"This is so great," Carl effused. "Half of SoHo must've hopped a plane to get down here. And there're plenty of locals, too. So my business won't dry up after this weekend. And they all said Miami Beach was dead!"

"Max should be here," Alessandra said quietly.

Carl winced. "I know. I know! I've tried calling him. He won't answer his phone. You went to his apartment. He wouldn't come to the door. What more could we do?"

Alessandra's lips puckered into a tight frown. "I'm still mad at you for letting that dick work him over."

"Jesus Christ, Aless! What was I supposed to do? Kick Zucker out as soon as Max walked in? He just would've caught up with Max some other time."

"You could've stuck up for him better. I think that's what hurt Max worst of all. That you let Zucker knife him like that."

Underarm sweat began staining Carl's silk shirt. "Look, Aless. You weren't there, okay? So please, just shut up."

A commotion rose from the tables closest to the door. Carl swiveled around. He nearly wet himself. "Oh no. No. Not tonight …"

A gorilla shambled into the dining room from the sidewalk outside. Or, rather, a man in a threadbare gorilla suit. He rose on his haunches, beat his chest, and emitted a surprisingly convincing bellow.

Carl moved toward the door. He felt like he was running in a nightmare, pumping his legs at full speed, but his feet were caught in invisible peanut butter so he wasn't moving forward at all. "Oh no. Max. No, Max. No!"

But Max had already sloshed through the fountain. Every one of the one hundred and thirty-seven diners had turned to watch. Max began climbing the Delano Hotel. It was shaped like a ziggurat, so he found the handholds he needed. He climbed with astounding energy and agility for a septuagenarian.

Carl and Alessandra reached the foot of the fountain. "Max!" Carl cried, looking like a drowning man in the blue neon light. "You can't do this to me! Come down here! Come down, or no Early Bird Special! Ever!"

Alessandra kicked her shoes off and stepped into the fountain. "Max! Oh God, be careful!"

The man in the gorilla suit was halfway to the top of the Delano Hotel when he heard her voice. He paused and looked down at her. But it wasn't Max who stared out of the mask's frayed eye holes. It was Kong.

Kong had nearly finished his arduous climb. Hundreds of feet below him, the water glistened, inviting him deep into its inky depths. He swung his mighty arm and roared his defiance. The water would not have him. Not yet.

The music suddenly grew ominous. From a great distance, a low humming reached his ears, like the humming of giant insects. Four flying specks climbed over the horizon. They came closer. Closer. They were birds, strange birds like Kong had never seen. Birds with four stiff, unmoving wings.

Kong was nearly at the top of the steep, angular mountain. The flock of strange birds circled around him. Challenging him. He brandished his terrible fangs. He had killed great birds before. He had broken their beaks. Ripped their wings from their bodies. He would vanquish these arrogant birds like the others.

But he could not fight with the Precious One in his paw. She must be safe. Kong had fought many battles so she would be safe. He stared at the little Precious One. She squirmed in his paw, leaving her heavenly scent on his fingers. Her soft, soft hair was as black as his own, but with a streak of fire running through it. His chest filled with strange longing. He wanted to eat her, to lick her, to smell her. To be her. He put her down on a ledge, laying her down as gently as he could. He sniffed his fingers. But only once. He had work to do.

He climbed to the very top. One of the four birds left the flock and swooped down toward him. Kong roared. He raised his arms high, ready to crush the foolhardy bird. The bird chirped at him. Very loud. Very fast. Kong felt something prick his chest. He lunged for the bird. It swerved away. He missed. The bird made a circle in the sky and rejoined the flock.

A second bird dove at him. Again the loud chattering. Again the invisible pinpricks. This bird was braver than its wingmate. It flew closer. Kong anticipated the sweet taste of its reptilian flesh, the saltiness of its blood. His reaching fingers clipped its wing. The wing disintegrated at his touch, and the bird immediately began to fall. Kong waited for its death cry. There was none. It fell silently until it hit the edge of the mountain. Then it blossomed into orange flames, and small pieces of it fell into the water far below.

Kong beat his breast in victory. He was pleased the Precious One had seen this. Even here, in this new and unhappy place, he was king. But the remaining birds were not cowed. One by one, they made their cruel passes at him. The stinging in his chest was no longer prickly, like the little sticks thrown at him by the men on his island, but a sharp burning, like the fang bites of a great reptile. His breathing was harder now. He rubbed the many hurting places on his chest. His fingers came away wet.

The birds seemed to fly faster now. He lunged more desperately, leaning dangerously far over the precipice. But his foes remained frustratingly out of reach. Their buzzing, their murderous chatter mocked him. We are the rulers here, they seemed to boast. Not you. He gathered his breath for a roar of defiance. But all he could manage was a bewildered, pained snarl.

The burning in his chest had become an inferno. Kong wiped his sweating, bleeding brow. His vision was clouding, narrowing. His fading gaze fell upon the Precious One. Weakly, gently, he reached for her. She uttered her small, soft cries, the sounds that excited him so. He brought her close to his face, so that he might sniff her delicate scent again. He fondled her with his forefinger, saddened that he marred her beautiful whiteness with drops of red from his ragged fingertip.

The birds hung back, circling. They would not attack him so long as he held the Precious One in his paw. Perhaps, if he continued to hold her, they would fly away …? He became dizzy. But his mind was suddenly clear. He would not endanger the Precious One. Hiding behind the beloved was not the way of the warrior, of the king. He placed her down on the ledge again.

Kong refused to look at the birds, even though their buzzing told him they were swooping close again. His huge eyes, full of longing and regret, remained focused on the Precious One. The music swelled. It was drowned out by deafening chatter. Kong clutched his neck. Blood dribbled from the corners of his mouth. His grip on the mountain's slender spire began to weaken.

The music, rich with stringed pathos, built to a crescendo. But Kong couldn't hear it. His ears were filled with wind and the call of the distant sea. He took a final look at the world below him. How could the world hate one of its own creatures so?

Kong's world narrowed to the pressure of the spire on his loosening fingers. He barely sensed the cruel birds' coup de grace, the talons that pierced his neck and exploded his jugular vein. Only the tips of his fingers touched the spire now. The merciful wind brought a last hint of the Precious One to his nostrils. He let go.

The dark waters could have him now.

Max landed in the fountain with a tremendous splash. Alessandra screamed.

The entire room went silent, save for the buzzing of a few shorting-out neon tubes. Then, one by one, the customers began clapping. The applause was scattered and uncertain at first but soon grew in strength and sincerity until it filled the dining room.

Aw jeez, Carl thought. They figured it for an act. What would Carl Denham do in a spot like this? He stepped onto the rim of the fountain and waved his arms over his head. "Okay, ladies and gentlemen, the show's over. Please return to your meals. Please. Free desserts for everyone! Tonight only. Compliments of the house."

Alessandra had pulled Max from the fountain. She struggled to pull the wet gorilla mask away from his face. "Carl! Help me!"

Carl knelt beside the unmoving old man. He tried to feel a heartbeat through the dripping fur. "Jesus Christ. You think he's alive?"

"How the hell do I know? I'm not a doctor!" She leaned over Max, placing her ear close to his mouth, trying to sense his breathing.

"Look," Carl whispered. His adrenaline rush was gone. The sickly feeling of nightmare was creeping in on him again. "My car's just outside. Let's carry him out of here. I can get him to Mt. Sinai in maybe five minutes."

"What?!" Alessandra looked horrified. "We've got to call an ambulance—"

"Aless, I've got a hundred fifty paying customers here. I can't have paramedics barging in?-"

"Fuck your paying customers! Call the emergency line, Carl! If you don't call for an ambulance, I'll never speak to you again!"

She pinched Max's nose and began administering CPR. Carl blinked and ran for the phone.

The waiting room smelled of disinfectant, boredom, and fear. A Metro-Dade police officer, his gut hanging over his gunbelt, approached Carl. "Look, buddy," he said, raising his pen to an incident report clipped on a battered clipboard, "I've got a few questions I have to ask. Number one. Did you hire that old guy to take a swan dive in your restaurant?"

Carl shot the cop a glance that would've withered concrete. "What do I look like? A lunatic? If I had wanted a spectacle like that, I would've hired a twenty-year-old stuntman. Not a seventy-four-year-old grandfather. I would've had a net. I would've spent a fortune on permits."

The cop raised an eyebrow. "So you're telling me he did this totally on his own? He went nuts or something?"

Carl scowled. His glasses slithered down his nose. "Right. It was Alzheimer's." His voice reeked of sarcasm and self-loathing.

Alessandra punched Carl in the shoulder. Hard. "It wasn't Alzheimer's! Don't you say that about him! It was—it was—I don't know what it was. It was just Max."

A nurse emerged through the double doors. "Are you two Mr. Strauss's next of kin?"

"Uh, no, we're just his friends," Carl answered. "Max doesn't have any family in Miami. I think he has some in California. Maybe some in New York, I think." He tried desperately to read the nurse's face.

"Can you help us get in touch with them?"

Alessandra's eyes, surrounded by haloes of smeared mascara, opened wide. "Max—is he—?"

The nurse took Alessandra's hand. "I'm very sorry. We did all we could. But he broke his collarbone and fractured his skull in the fall. Also, he suffered a massive heart attack."

The only words Carl heard were I'm very sorry. Dull, generic words. I'm very sorry. What a flat, meaningless epitaph for a man like Max. No "I guess the airplanes got him." No "'Twas Beauty killed the Beast." Just standard-issue words for a little man who wanted to be something so much bigger than he was.

Alessandra was crying. Carl wanted to cry, too. He searched inside for the lever that would let his tears flow and found nothing. Something inside him was missing.

Something was missing. Willis O'Brien stepped back from the intricate, rabbit fur-covered figurine and rubbed his forehead with his palm. He was so close to the end now. Another few weeks of animation work and it would be a wrap. He should just push ahead, get it done. The RKO executives were clamoring for this picture. Even in the middle of the Depression, they knew they had a hit on their hands. He had these last few climactic scenes all figured out, completely storyboarded. But something was stopping him in his tracks.

He stepped away from the hot arc lights. In the last twelve months of working under those lights, he had lost fifteen pounds. He filled a cup with water from the cooler. Why was he getting jittery fingers now, after so many months of confident work?

Kong stood atop the miniature Empire State Building. Willis stared for a long time at that sculpted face, those expressively flaring nostrils, glass eyes tinier than the smallest marbles. Marcel had done a brilliant job with the models. His Kong could be made to mimic all the expressions of a human face. So many possibilities. So many damned possibilities.

Willis had watched all the rushes. Kong was convincing. His animated movements looked natural. Powerful. Many of the scenes, especially the fight scenes with the dinosaurs, were thrilling—the best work Willis had ever done. Kong was a mighty presence. He was a brute, a monster, a bigger-than-life terror. Audiences would be nailed to their seats.

Maybe that was the problem. Willis didn't want Kong to be just a brute, a vicious giant animal. If audiences left with that impression of him, his relationship with the Fay Wray character would be utterly unbelievable. Kong had to be a noble brute. His death atop the Empire State Building had to be the stuff of tragedy. Or else the film would be an empty thriller, a piece of schlock.

Maybe what I've got is stage fright, Willis thought. I started out as a palooka, a fighter; not an actor. Not a poet. I gave Kong all my boxing moves. But can I give him a soul?

He placed his fingertips on Kong's skull. I look like I'm trying to give him a blessing. His fingers trembled slightly, ruffling Kong's fur. Who is there to give me a blessing?

A knocking at the door broke his nervous concentration. Grateful for an excuse to break away, he walked across the studio to the door and opened it. "Yes?"

Two men stood in the doorway. One was Mike Halloway, a production assistant. The other was a small, dark haired stranger, a man in his thirties who anxiously rubbed his hands together and smiled obsequiously.

"Mr. O'Brien," Halloway said, "sorry to disturb you. This here's one of the extras. He's been bugging me for days. He wants to see the `big gorilla' in the worst way. Is it okay by you if he takes a look around?"

Willis rubbed the back of his neck, trying to work the tension out of the muscles. "Sure. It's okay. He can come in. I was ready to take a break anyway."

The small man stepped gingerly into the studio, staring with wide eyes at the multitude of miniature jungles and cityscapes. Willis shut the door behind him. "So what's your name, fella?"

The visitor's hands remained shyly at his sides. "Maximillian Strossenberg, sir. I have been in Hollywood for a year only. This is my first job in the moving pictures. The others … they tell me you are the one who does the magic. The one who acts as the big gorilla."

"Now who told you that?"

"Everyone, sir. All the actors. They all say, `Willis O'Brien, he is the man who plays Kong.' So of course, I want very much to meet you."

Willis found himself smiling. "A bunch of folks been pulling your leg, fella. There ain't nobody plays Kong. Not me or anybody. C'mere. Let me show you something."

He led Max to the corner of the studio where the four-foot-high model of the Empire State Building's top stories stood. He pointed to the articulated miniature that was posed on top. "There. That's Kong."

Max stared at the miniature gorilla for half a minute. Then he turned to Willis and shyly smiled. "I hope I do not insult you, sir. You are a very important man. But I think you are the one who `pulls the leg.' Kong is fifty, a hundred feet tall! He makes the elevated train of Manhattan fall off the track. I know! I am a man who falls with the train."

Willis rubbed his neck again, not sure whether to be amused or irritated. "Trust me, Max. That there is the genuine Kong. I move him a little bit at a time, and I take pictures of him, and when I shine those pictures on the screen, you'll believe he's a fifty-foot-tall son-of-a-bitch, the tallest, darkest leading man in Hollywood. Least if I can get past this damned mental block, you will." He stared up at the eighteen-inch-tall figure on top of the miniature skyscraper and sighed. "Look, Max, I've gotta get back to work."

Willis led his visitor back to the door. Max followed reluctantly, sad to leave the cavern of wonders so soon. "I still do not believe it," the extra said earnestly as he stepped through the doorway. "But if you can make a tiny doll a giant, if you can make a thing with no more life than a rock breathe and walk and love a woman, then you are a great man, Mr. O'Brien. You are a great, great man."

Willis wasn't feeling remotely like a great man. But the little foreigner's naive sincerity was touching and somehow comforting. Willis smiled and extended his thick, well-muscled hand. His visitor returned the smile and, after a slight pause, the grip.

Willis watched the extra walk away. He had felt something pass between them with that brief handshake. Exactly what, he couldn't say; a quicksilver current of sympathy, a melding of past and future into an instantaneous spark of knowledge that faded as quickly as it had flared. I know how that man will die, Willis thought. Then, shaking his head, he wondered where those queer words had come from. Seconds later, he'd forgotten the words themselves.

He closed the door and slowly walked back to the miniature set in the far corner. He again placed his fingers on the soft rabbit fur that lined Kong's skull. At last, there was nothing to do but begin.

With his first manipulation of the figurine, Willis felt the tension in his neck begin to ease. He moved the airplane models a quarter of an inch closer to Kong, then exposed a frame of film. The camera clicked. His calloused fingers touched Kong's face, creasing the brow, pulling the lips away from the tiny fangs. He clicked the camera. His hands returned to Kong. The beast's muscles rippled, his lungs expanded, he bellowed his defiance. The camera clicked.

Willis's fingers began to manipulate the model rapidly, moving almost with a will of their own. His mind began racing ahead of his hands. He could see everything that would happen, like a magnificent moving painting. He thought of Michelangelo. Michelangelo had been a sculptor and a painter. He thought of Michelangelo's "Pieta," the exquisite sadness on Mary's face. He thought of Kong: a huge, dark immigrant to a strange new land, a creature without language, shunned and feared by everyone he met. Denied the touch of beauty. Humiliated. Kept apart from the one thing he loved.

Willis watched his fingers move Kong. No. He watched Kong move. The blessing he had hoped for had come. Tonight's rushes would be all he had prayed for. And tomorrow's. And the day after's.

So this is what it is to have a muse, he thought. He marveled at its touch. He didn't know where the spirit had come from. But he was thankful it had come.

The End

© 2005 by Andrew Fox and SCIFI.COM

martes, 5 de mayo de 2009

THIS IS THE END... MY BEAUTIFUL FRIEND.



Bueno, bueno, bueno...
Hasta aquí hemos llegado.

En vista del poco interés suscitado por este blog me dispongo a echar el cierre.


Tenía algunas cosas en el tintero:

- La gran mentira de la gripe porcina (y otras
pandémias diseñadas)
- Lo obtuso de los nacionalismos y del nacionalismo separatista.
- El lobo vestido de cordero: la nueva izquierda.
- Más textos y reseñas...
- Más
foticos y pinturicas mías y de otros (la de Jeff Jordan que ilustra este post es una de ellas...

En
fin, Pilarín, no pudo ser: creo que seguiré observando el mundo en silencio desde detrás de la ventana: "words are silver, silence is gold"


-----------------------------


ADDENDUM:







¡QUE NOOOOOO...!

sábado, 14 de marzo de 2009

Dos fragmentos de la vida de Pablo Scorza



UN DIA EN LA VIDA DE PABLO SCORZA
(NOTA BIOGRAFICA)

A las siete y media de la mañana exactamente sonaba cada nuevo día un despertador viejo y oxidado cuyo indeseable sonido ha martilleado los oídos de Pablo Scorza desde el preciso día de su boda cuando le fue regalado y desde entonces no ha dejado de sonar ninguna de esas mañanas en las que se había de cumplir con los deberes de un hombre responsable como le solía decir a Pablo su padre mucho antes de que llegara siquiera a conocer a su mujer y mucho antes de que saliera siquiera del colegio donde maestros y alumnos lo humillaron tantas y tantas veces como al fin y al cabo ha pasado de una u otra forma con todos nosotros pues en las escuelas no se aprende a ser una persona inteligente que es lo que cabría esperar y ni siquiera se aprende a ser una persona racional que es lo que podríamos desear y ni siquiera se aprende a ser una persona que es lo mínimo que podríamos exigir si hubiera a quien exigir en estos casos y en las escuelas se aprende en realidad nada más que a soportar y se nos enseña cómo hemos de aguantar las humillaciones que después y ya por siempre nos lloverán de cualquiera de las formas en que estas pueden venir a lo largo de toda una vida y eso es a fin de cuentas lo único que cabe sacar en claro del período escolar aunque ni siquiera eso consiguió aprender Pablo y hubo de contentarse tan sólo con aguantar a desgana esas humillaciones primero en la escuela y después fuera de ella en el escenario de la vida y aunque se revelara por dentro de poco le serviría pues una vez conocida la que después sería su mujer y con una casa llena de hijos y un reloj despertador de metal oxidado poco había que hacer en cuanto a lo que a agallas se refiere y bueno había que aguantar y basta aguantar y olvidarse de pensar sí señor ese era Pablo Scorza hijo de un marinero napolitano pero que jamás había pisado italia y según sus propias palabras jamás la pisaría ni tocaría nada proveniente de ese país y de esas gentes execrables y vulgares que son esos italianos siempre según las palabras de Pablo quien siempre los definió como seres escandalosos estúpidos y vanales pero su apellido de todas formas no lo podía cambiar ni sus recuerdos no señor esos no se callaban.

Jack!91



UN DIA EN LA VIDA DE PABLO SCORZA (DESCRICION BREVE)

A las siete y media de la mañana exactamente suena el despertador con su sonido penetrante y la mano de Pablo Scorza sale perezosa de entre la montaña de sábanas y mantas que le han arropado durante toda la noche alejándolo del húmedo frío del invierno clac un chasquido ligero y el horrible sonido enmudece hasta la próxima mañana y Pablo Scorza se levanta y deja allí el cuerpo arrebujado de su mujer y la mira y se dice que no es bonita y se pone lentamente los pantalones y la camisa y también los zapatos y mientras se ata los cordones piensa en el argentino el capataz de la fábrica y es la primera imagen que acude a su mente al nacer el día que le hace sentir un estremecimiento y un frío sudor que le recorre el cuerpo y escucha entonces unas risas malintencionadas y está a punto de girarse pero se da cuenta de que ha sido su imaginación porqueya está enfermo nada más levantarse y aún no ha desayunado siquiera y mucho menos entrado al recinto de la húmeda nave de la fábrica y Pablo piensa que aún no llegan a sus pulmones los humos y los olores a metal cortado y ya está enfermo pero su enfermedad no es una enfermedad que pueda ser declarada y diagnosticada por médico alguno no es ninguna enfermedad por la que pueda dejar de trabajar sino que muy al contrario es una enfermedad que le obliga a sufrir de un modo más encarnizado su cotidiano enfrentamiento con la realidad que llaman laboral así que ha de dejar a su mujer arrebujada contra el hueco caliente que él abandona y prepararse ese vaso de leche con café así que lo hace y se lo bebe casi de un tirón y luego se prepara un bocadillo de jamón dulce lo envuelve bien y se dirige al lavabo allí enciende la luz y abre el grifo del agua ante sí y ve como se le aparece un rostro demacrado y castigado por los años y es un rostro oscurecido por el sol y que le mira con incomprensión él mismo no comprende nada así que solo llena sus manos de agua abundante y sumerge la cara en esas palmas enormes pues el frío ya no le estremece acostumbrado a vivir se seca y se peina casi a puñetazos sin interés el rostro demacrado sigue mirándole peinado Pero igualmente acabado tío se dice mientras apaga la luz y sale y toma el abrigo y sale y baja las escaleras con paso poco decidido y sale siempre saliendo siempre afuera a la calle fría y apenas iluminada por el sol a esas horas camina camina más camina aún más camina un poco más y divisa la oscura silueta de la fábrica recortándose sobre el cielo rojizo por donde sale el sol -el azul del cielo contrastrando con el negro de la fábrica y el rojo difuminado del horizonte- Pablo Scorza no puede evitar el reírse para sus adentros de la incongruencia producida entre esa visión poética y lo que le espera dentro de la fatídica nave con los ecos paranoicos los olores a grasas y humos agrios los pasos de personas o sea de enemigos las voces y las risas y cuando se da cuenta ya está dentro y su corazón palpita con fuerza y ve al argentino y se lo imagina insultándolo y ridiculizándolo y despreciándolo como suele hacer pero pasa por su lado y este sólo le dirige una corta mirada sin apenas interés mientras exprime un cigarrillo entre sus labios y él sigue caminando hacia su puesto y se sienta y las horas no pasan y su mirada va del torno de trabajo a su reloj de pulsera y del reloj de pulsera al torno de trabajo y luego es hora de almorzar y Pablo Scorza detesta eso que llaman almuerzo pero ha de almorzar pues de lo contrario todos se echarían de alguna forma sobre él pues todos se reúnen en sus grupos de hablar y reír y él no se levanta de su asiento frente al torno y alguien hace una broma sobre su culo aplastado en la banqueta giratoria y otros ríen y Pablo Scorza muerde con más rabia el bocadillo que le sabe amargo en su boca seca y entonces se dice que no es jamón dulce lo que muerde sino carne humana y carne de hombre ruin y despiadado o lo que es decir carne de persona humana sin mayor distinción y Pablo Scorza odia a los italianos pero también odia a las personas que trabajan en esa fábrica destructora de personas y piensa que seguramente en esa fábrica trabaja el grueso total de la población mundial y todos vuelven a sus tareas y Pablo Scorza vuelve a su torno y a sus piezas y no levanta la cabeza ni una sola vez pues al principio solía hacer alguna payasada con la que todos reían eso es reían él hacía su payasada y ellos reían pero un día Pablo Scorza no encontró sentido a hacer aquello no le vio sentido a odiar a unas personas y sin embargo hacerlas reír con sus payasadas así que no hizo más su payasada y ellos no rieron más así que comenzaron a humillarlo y esto pareció resultarles gracioso pues volvieron a reír y claro la gente ríe con o sin el consentimiento de la víctima Eso es una realidad constatable se dice Pablo Scorza siempre hay unos verdugos y una víctima en cualquier reunión social siempre los ha habido y debe ser el único modo de que las cosas funcionen esto es que alguien humille y algún otro resulte humillado y Pablo Scorza piensa en eso mientras apreta la manivela y ve la pieza tomar forma una pieza como miles de otras que ya hizo anteriormente piensa mientras una gota de sudor recorre sus sienes... ha pasado algún tiempo desde la última vez que se preguntó cuanto faltaría para que acabara la jornada y entonces se acuerda de cómo mordía su pedazo de pan unas horas antes y se maravilla de esa enorme rabia tan increíble en una persona sana y piensa que nadie allí sabe ni por supuesto sospecha que tiene una pistola Eso es y repite Una pistola y entonces sí que sonríe jeje una pistola en casa bien oculta claro y se pregunta qué sucedería si una mañana viniese a trabajar con la pistola dentro del mono sucio y qué pasaría si cuando estuviesen almorzando alguien lo humillase de nuevo y entonces el bueno y el patán y el corto y el tonto del haba y el estúpido y el imbécil de Pablo Scorza levantase su culo aplastado de la banqueta giratoria y se encarase a ellos y les insultase de la peor forma y bueno seguramente ellos se sorprenderían al principio de su osadía pero luego reirían eso le parece seguro a Pablo Scorza Seguro que reirían se dice pero entonces él podría sacar su pistola lentamente para dar mayor efecto a su acción y ellos seguramente verían como sus sonrisas se congelaban poco antes de caer abatidos uno a uno frente a él eso es lo que piensa Pablo Scorza y entonces le viene a la memoria una melodía que oyó cantada por la Holiday y le gusta porque él estuvo enamorado de la Billie aunque realmente también eso es ridículo pero así es Pablo Scorza sin embargo ya no consigue recordar el título de esa canción ni tampoco la letra y bueno Pablo Scorza no consigue recordar nada ni tampoco el rostro de la Holiday que vio en viejas fotografías nada sólo la vida y llega la hora de volver a casa y vuelve pues de hecho siempre hay una vuelta y Pablo Scorza apenas es capaz de saber qué es peor si la fábrica o el regreso a casa Desde luego la fábrica se dice porque peor que la fábrica no hay nada pero eso no dice nada en favor de su vida en familia como tampoco dice nada en favor de su vida en general piensa mientras abre la puerta de su casa después de haber caminado algún trecho y piensa que mejor sería meterse en un bar y emborracharse hasta perder el conocimiento y así día tras día pero Pablo Scorza no soporta los bares ni el alcohol ni la gente que frecuenta los bares ni sus conversaciones asfixiantes ni sus toses asquerosas que le recuerdan a la fábrica y por eso él nunca entra a esos bares para emborracharse hasta perder el conocimiento y prefiere ir directamente a su casa porque aunque también podría caminar y caminar sin rumbo por la ciudad hora tras hora hasta caer exhausto así día tras día hasta caer enfermo tampoco puede hacerlo pues detesta el caminar y sobre todo el caminar por la ciudad pues aún soporta el caminar por el campo pero en absoluto el caminar por la ciudad algo que pone realmente enfermo a Pablo Scorza sobre todo como él mismo dice por tener que hacerlo junto a tantos otros que como él caminarían en la misma dirección o en dirección contraria y que le mirarían o le ignorarían o le intentarían hablar o se reirían directamente de él a sus espaldas o en sus propias narices como suele decirse por eso Pablo Scorza día tras día tras su penosa salida de la fábrica dirige sus pasos lastimeros hacia su casa donde le espera la comida humeante y su mujer por lo general malhumorada y sus hijos gritando y peleándose como es habitual se dice Pablo Scorza mientras entra en casa y luego saluda con un hola seco que es contestado por otro hola igualmente seco y se sienta directamente a la mesa junto a la mujer y los hijos y todos comen en silencio o comentando alguna vanalidad según el día y entonces su mujer regaña al más pequeño Comete eso grita y el pequeño escupe la sopa en el plato y entonces la mujer se incorpora a medias y le endosa una tremenda bofetada al pequeño que lo tira de lado sobre el hermano de su derecha que mete el codo en el plato y se lo vuelca encima recibiendo por ello otra tanda de gritos y quedándose sin sopa así que terminan de comer y ven la televisión también en silencio y los programas los elige ella pues Pablo Scorza nunca opina en casa y bueno antes tenía un pequeño tocadiscos y solía poner discos... le gustaba eso pero no a ella así que tuvo que llevarse el aparato a la habitación y escucharlo tan flojito que ella no pudiera molestarse pero eso parecía imposible de conseguir y una tarde al regresar del trabajo encontró casi todos sus discos hechos añicos y Pablo Scorza no se atrevió a preguntar nada acerca de lo sucedido y se consoló descubriendo que aún le quedaban dos que guardaba aparte y de eso hace ya más de seis años así que durante algún tiempo sólo pudo escuchar Art Tatum y Django Reinhart que se habían salvado de la quema como él se decía pero una mañana habían desaparecido también junto con el aparato y durante la cena su mujer le trató con especial desprecio y en su boca se reflejaba una cruel mueca aquella noche pero de eso hace unos cinco años y hoy no hay música y sólo televisión luego se puede asomar al balcón y mirar hacia abajo pues eso le está permitido así que lo hace se asoma y la vista no es bonita pero es la única que tiene además va a llover... lo escucha en la televisión mientras la ve su mujer y comienzan a caer las primeras gotas Como si se tratase de una retransmisión en directo se dice Pablo Scorza que odia a los italianos pero también odia a la mujer que vive en su casa y a los pequeños diablos que le llaman papá y allí asomado puede pasar la tarde si su mujer no le manda a comprar alguna cosa y después hay más televisión hasta que por fin se acuestan y la luz se apaga y así termina un día en la vida de Pablo Scorza cuando el sueño reparador lo aleja de la realidad y el silencio lo inunda todo pero sin embargo a las tres y media exactamente Pablo Scorza se despierta súbitamente y ve a su mujer durmiendo a su lado empujándolo fuera de la cama como siempre y su cabeza da vueltas pues aún está medio adormilado así que se levanta lentamente y abre un cajón de la mesita y buscando extrae un libro cuando la mujer se revuelve y súbitamente abre un ojo Dónde demonios vas ahora le pregunta y él le responde Voy al lavabo y ella se da la vuelta así que Pablo Scorza se mete en el báter y cierra con el pestillo y se sienta en la taza y abre su libro por una hoja que dobló otra noche y comienza a leer en silencio y lo primero que llega a sus ojos es el título así que Pablo Scorza dice dos veces para sí Sobre la Muerte de un Extranjero Sobre la Muerte de un Extranjero y cierra momentáneamente el libro para mirar la portada y entonces lee el título del libro una sola vez diciendo en voz baja Bienvenida al Consejo de Administración y luego siente curiosidad por saber cómo es eso en alemán y mira en los créditos de la segunda página donde indica el título original y lee lentamente Begrüssung des Aufsichtsrats y cierra el libro complacido como si le hubiera inundado alguna fuerza poética o algo así y sacude lentamente la cabeza mientras esa sensación de bienestar le recorre de pies a cabeza y entonces se acuerda de su mujer y automáticamente de la fábrica y de nuevo de su mujer y es entonces cuando recuerda la pistola y ella no sabe que la tiene piensa él y entonces se la imagina a ella durmiendo en su cama tranquila y a todos esos pequeños monstruos durmiendo en las otras camitas y entonces se ve a sí mismo sentado en la taza del báter con un libro del Handke sobre las rodillas y con una idea fija en su cabeza y la imagen de una pistola siempre cargada en lo más profundo de un cajón y se dice que probablemente así deben ocurrir todas las tragedias y se dice también que esta es desde luego inevitable y así sucede y por supuesto a la mañana siguiente su mujer y sus hijos descubren el cuerpo de Pablo Scorza colgado de una cuerda en el baño y el libro de Peter Handke flotando desecho en el interior de la taza del báter mezclándose papel y tinta con las heces y la orina en una imitación a fin de cuentas de la propia vida de Pablo Scorza.

Jack!91

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Mt. Erebus, Virginia Plain, Antarctica

LA PLAGA HUMANA

"Hubo un tiempo en que eran innumerables la tribus de hombres que vagaban por la Tierra..., la anchura de la Tierra de profundo seno. Zeus, al notarlo, apiadado, decidió con su gran prudencia aligerar la Tierra, que todo lo nutre, de hombres, excitando para ello la gran contienda ilíaca, pues habíase decidido a que el número de hombres disminuyera por medio de la muerte. Por eso se mataban los hombres en Troya, cumpliendo la voluntad de Zeus.”